About Dan Curry


Dan Curry Artist Statement 2019-2026

 

I grew up in the St. Louis area during the 50’s and 60’s, was drafted into the army in 1970 and met my wife, Donna in Philadelphia in 1971. Donna noticed my casual interest in art and her encouragement was important in my decision to pursue training first at the Philadelphia College of Art (now University of the Arts) and later at The Pennsylvania Academy of the Fine Arts from 1973-77. During my studies at the academy I was strongly influenced by instructors Louis Sloan and Morris Blackburn among many others including fellow students. From the history of art the impressionist/naturalist painters left a strong impression on me.  I also became interested in the American naturalist/transcendentalist writers from the 19th century in Whitman, Thoreau and Emerson. My interest was identified by my student peers who introduced me to contemporary naturalist/writers Richard Groff and Helen and Scott Nearing.  This inspired and influenced my decision to move to a rural location like Sullivan Co. in 1977 where we built our home and life on Ringer Hill.  My art and landscapes, in particular, have grown out of the richness of my life with my family here in NE PA.  

 

Mr. Groff and the Nearings were important influences for me after my graduation from the Pennsylvania Academy in 1977. My interest in organic gardening was stirred by the Nearings and building my own home was influenced by both the Nearings and Mr. Groff both of whom built there own homes. By the late 1970’s I had started the construction of our home with a small kitchen, bathroom, two bedrooms and a small front porch. We lived in a small trailer while this was in process. After working in a few odd jobs in construction, plumbing and briefly as a short order cook, my wife saw an ad for a security guard at the local Job Corps Center. So I went there to apply and the human resources manager informed me that the artist doing the arts program had just put in his resignation and asked me if I might be interested in that position. From 1982-85 I started working in the art center at Red Rock until a new company took over the operation of the center and I was laid off. While collecting unemployment I continued building our house with a rather large two story addition. I utilized local lumber from a small time saw mill where I purchased 10,000 board feet of lumber (for $2000) to construct this large space. I designed the home which is passive solar with large south facing glass used in a buffer area south porch that has glazed doors and windows separating and enclosing it from the main living space. I was called back to Red Rock in 1986 and my work in Job Corps became a delight helping at-risk youth develop healing affects from artistic adventures in 15 different mediums that I was able to introduce to them. My lifestyle was very active in my self-reliant work processing firewood for heat and growing a lot of organic food in 4 large garden plots. The work in Job Corps was a pleasant and very successful compliment to my self-reliant lifestyle. When a new management took over in 2010 I had to prepare to leave when they devalued the presence of art in the program. I left in 2012 and continued with the Pennsylvania Council on the Arts as a roster artist which I joined in 1998 and am still active teaching for them.

 

I found myself in an ideal beautiful area to engage in landscape painting and have created a large body of work representing my experience in this beautiful area of PA. When I travel I seek more new subject matter for experiencing in my plein air attempts. I enjoy direct encounters, plein air landscapes especially where I can encounter the beautiful and various natural light effects. I paint because I wish to seek inside myself for self-discovery and connecting. I view my efforts creating images as a sensitizing process that promotes the possibility for elevating and transforming my spiritual being. I hope to discover mystery and beauty in my art. I feel that the art forms created are not the end product. They can be beautiful symbols and traces on the path of self-realization and a spiritual awakening. The arts possess the appeal of stimulation, entertainment and in our present times need to be utilized also for elevating and evolving our society.

 

I like the reference by Native Americans in describing the mystery of nature by the “Great Spirit” and the Chinese reference to the “Tao” as the cosmic energy that moves all things. The arts can help provide awareness to that cosmic energy and the magic and mystery of our natural world that we depend on. My work with students is an important sharing process that I can use in combination with my own production of images. I believe that the large spiritual capacity in each of us often remains dormant under the surface. Arts enrichment is a viable and direct connection to this capacity.  The reluctance or indifference by our society/institutions to provide total accessibility to arts enrichment for educational value reveals a lack of understanding. We should apply and integrate arts in its wide variety of forms into the education process. This should be done not necessarily to create more artists but to help all students’ access inspiration, built-in wisdom/individual insights and sensitivity. This should be a basic expectation for human development. We can begin with all of our children at the earliest age to help them get connected with their innate wisdom and capacities. We owe it to our children so they can show us how to change the world for the better if we will only help them.

 

Through my painting experiences I have developed a deep appreciation for the harmonious balance found in our natural world. It has become our challenge to adapt to the role of responsible caretakers of our home. Education is of vital importance to steer our priorities and development of improvements in our systems and technology. The vitality of a learning environment is creativity and imagination. I like Einstein's perception that "Imagination is more important than knowledge." Can we imagine living in harmony with our natural world and begin to create the ideas that will elevate and clean up our systems and use of technology?  In nature we have a model of perfection for harmony and balance that I aspire to capture in my art.  I believe that it is this harmony and balance that is viable when connected to other areas of learning and living. Through a reordering of priorities putting ethics and morality in charge, we can capture these dynamics and integrate them into our systems.  This will be difficult or impossible without the fresh optimism of a new generation of connected creative thinkers.

 

My Aspirations as a producing artist

 

When you visit my web-site (www.dan-curry.com) my exhibition history shows national and international presence while being recognized by education administrators in the Job Corps program and my professional colleagues who have included me in shows in the Cairo Opera House Contemporary Art Gallery in Egypt, US Capitol and the UN buildings in New York and South Africa. My exhibit in the US Capitol in 1997 was sponsored by a US Senator and accompanied by his nomination for the National Medal of Arts for my programming in Job Corps. In some of my most recent pictures I believe the effects encourage the viewer to see the strength and prevailing dominance of the Earth’s power through the strength of images of our earth’s natural beauty. In my continued concern this needs to be identified and understood before our mother earth rejects us as the largest threat to the eco-system. Yes, climate change is real and a national emergency with possible dire consequences for human presence. One of my works titled “Spiritual Poverty” addresses the problem of disregarding our natural world and our future through unclean systems and the reluctance to advance our systems for the sake of our children and the future of humanity in general. That piece, “Spiritual Poverty” was a silk banner which was on view internationally in an exhibit titled “Breaking Down the Walls of Prejudice, Bias and Stigma.”  That image and statement was seen in the UN buildings and the US Capitol during the “World Conference Against Racism” in 2001. My future work may zero in more strongly on turning up the volume on the strength of Mother Nature and encouraging the awareness for the needed changes. In my teaching I do not emphasize my feelings of alarm with children, especially. I do not mix politics with my teaching at any time. But I am engaging people in my exhibits and in contact with our representatives in our government and I am voting for those who understand the needed changes and praying that we haven’t waited too long to take action.  

  In the 1970’s I was fortunate to have met Richard U Groff from Landas Store area in PA. Richard introduced me to Thoreau through his essay/booklet titled “Thoreau and the Prophetic Tradition”. If you google his name and that title you can read this essay. On July 4th 1996 I produced a pencil sketch of HD Thoreau.




 








"Spiritual Poverty"

In a statement that I used back in 2001 for the silk banner shared in this post titled “Spiritual Poverty” I stated “Our emphasis on materialism reflects our spiritual poverty. Our actions show how our priorities reflect disconnection with nature and the creator. It requires mindlessness and emptiness to continue to lay spoils to the world that we will pass onto our children” The final statement in that paper attributed (maybe falsely) to Chief Seattle was compelling for me to use as follows; “Humankind has not woven the web of life. We are but a thread of it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect. Whatever befalls the earth befalls also the children of the earth.”  As was noted later it was not authenticated that the chief ever sent this statement to President Pierce. So I stated; if so then isn’t it about time we find a world leader who would embrace such a thought. Well we have a beginning as our President Obama spearheaded the global climate change initiative in Paris making it a political emphasis globally and Pope Francis addressed our congress in 2015 and framed it as a spiritual/moral issue for protecting our planet and future for our children. I am sharing his recent statement below on this page and another message on a second page positioned nearby  

 

Pope Francis on Climate Change

 

Last year Pope Francis provided his insights to our country when he visited the US and addressed a joint session of congress. At that time he spoke of the plight of the poor and refugees, income inequality among other things. He also mentioned protecting the planet from climate change and pollution. During September of this year he was quoted below;

ByBradford Richardson- The Washington Times - Thursday, September 1, 2016

Pope Francis is imploring Catholics to confess their sins against the environment, calling the degradation of the climate a “sin against God.”

In his message marking the World day of Prayer for the Care of Creation on Thursday, the pontiff said climate change is caused in part by human activity, leads to extreme weather and disproportionately affects the least advantaged around the world.

“Global warming continues, due in part to human activity: 2015 was the warmest year on record, and 2016 will likely be warmer still,” Francis said. “This is leading to ever more severe droughts, floods, fires and extreme weather events.”

”The world’s poor, though least responsible for climate change, are most vulnerable and already suffering its impact,” he said.

Citing last year’s controversial encyclical on the environment, “Laudato Si,” the pontiff said “for human beings to contaminate the earth’s waters, its land, its air, and its life “these are sins.”

He added that “to commit a crime against the natural world is a sin against ourselves and a sin against God”

        On April 26, 2004 I photographed this American Flag that was created by the art students at Red Rock Job Corps and was eventually gifted to US Senator Bob Casey's office in Philadelphia. This flag was created and displayed first in Dushore on flag day back in that time frame. Later it appeared in the office of US Senator Santorum whose office reps had submitted a nomination for myself and the art program at RRJCC for the "National Medal of Arts" which we were not awarded just nominated by them. Our regional Job Corps art was being featured in Olde City Philadelphia at the Nexus art gallery for several years and was noticed by the senator's office staff which lead to the nomination and later a display of our art in the Capitol Rotunda in DC in 1997. When Bob Casey defeated Santorum we moved the flag to his office.

I am in contact with Senator Casey for several reasons but also to see if the flag is still in his office.





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